Fiona Tan Mountains and Molehills

This publication focuses on her works Gray Glass (2020), Inventory (2012) and Footsteps (2022), the key works in the Eye exhibition of the same name. Hanneke Grootenboer reflects in an essay on the way in which looking, thinking and time come together in Tan’s work. She places her oeuvre in a broad historical and philosophical context of visual culture. In an interview with Dana Linssen, Tan provides insight into the creative process and shares considerations about exhibiting her work.

The publication bears the character of a sketchbook, with texts and notes by the artist herself, and thus offers a valuable insight into her vision and working method. The works are richly illustrated with installation photos, film stills, and photos from behind the scenes. Finally, the full text of the works Brendan’s Isle (2010) and Island (2008) is included.