Baroque in Rome
The beginnings of baroque in Rome, with starring roles for the painter Caravaggio and the sculptor Bernini. Extended until 13 September 2020!
Baroque in Rome
This joyous Italian counterpart to the reserved and austere Protestant Dutch culture of the 17th was overlooked in the Netherlands. Elsewhere, however, it sparked an artistic revolution, and its impact was felt throughout Catholic Europe. The leading lights of Baroque in Rome were Michelangelo Merisi da Caravaggio (1571-1610) and the sculptor Gian Lorenzo Bernini (1598-1680), two geniuses around whom many other talented artists flocked. The arts in Rome were booming in the first decades of the 17th century, and in the space of just a few years the eternal city was transformed into an international pressure cooker bursting with new artistic ideas and initiatives. This vibrant climate formed the ideal conditions for the birth of a new style, one that would be only be named ‘Baroque’ much later – from the Portuguese barocco, for the irregular form of a natural pearl. More than ever before, painters teamed up with sculptors, and the central figures in this exhibition – Caravaggio, Bernini and their kindred spirits – embody this artistic fraternalism. Together, their works tell a story of immense artistic vigour in Rome and radical renewal in the arts in the approximate period from 1600 to 1640. The exhibition will be guided by key terms in the artistic vocabulary of the time, such as wonderment (meraviglia), vivacity (vivezza), motion (moto), jest (scherzo) and horror (terribilità).