Laura Cumming has been the art critic of The Observer (London) since 1999. Previously, she was arts editor of the New Statesman magazine, literary editor of the Listener, and deputy editor of Literary Review. She is a former columnist for the Herald and has contributed to the London Evening Standard, The Guardian, L’Express, and Vogue. Her book The Vanishing Velazquez was longlisted for the Bailie Gifford Prize and was a New York Times bestseller.
(This book is only available in Dutch)
In 1654, an enormous explosion at a gunpowder store devasted the city of Delft, killing hundreds of people and injuring thousands more. Among those killed was the extraordinary painter Carel Fabritius, renowned for his paintings The Goldfinch and his haunting masterpiece A View of Delft, which depicts the very streets through which the victims would be carried to their graves. Fabritius’s contemporary and rival Vermeer, painter of the iconic portrait Girl with a Pearl Earring, narrowly escaped death.
Framing the story around Fabritius’s life, Cumming deftly weaves a sequence of observations about paintings and how they relate to everyday life. Like Dutch art itself, the story gradually links country, city, town, street, house, interior–all the way to the bird on its perch, the blue and white tile, the smallest seed in a loaf of bread. The impact of a painting and how it can enter our thoughts, influence our views, and understanding of the world is the heart of this book and Cumming has brought her unique eye to her most compelling subject yet.
Featuring beautiful full-color images of Dutch paintings throughout, this is a stunningly rich book about one of the most vibrant periods in European art and life.
|Dimensions||21 × 14 × 3 cm|