Chantal Akerman was one of the first film directors who made the switch to visual art. She rose to fame in the 1970s as a feminist avant-garde filmmaker, and midway through the 1990s, she discovered the possibilities of the art gallery.
In 1995 she created a large spatial installation on 24 monitors based on D’Est, a film she originally made as a documentary. This marked the start of her ‘second career’ within the world of visual art.
The exhibition in Eye Filmuseum, which runs from June 1st until August 30th 2020, features eight of Chantal Akerman’s film installations. In addition to D’Est, they include a.o. Woman Sitting after a Killing (2001), Tombée de nuit sur Shanghai (2007-2008) and her final work NOW (2015).
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